"Starling?"
"Yes, sir?"
"Between us, I'll keep you posted on the big stuff. But you stay out of it. You're not a law officer while you're on suspension, and you're not supposed to have information. You're Joe Blow."
"Yes, sir, I know."
What do you look at while you're making up your mind? Ours is not a reflective culture, we do not raise our eyes up to the hills. Most of the time we decide the critical things while looking at the linoleum floor of an institutional corridor, or whispering hurriedly in a waiting room with a television blatting nonsense.
Starling, seeking something, anything, walked through the kitchen into the quiet and order of Mapp's side of the duplex. She looked at the photograph of Mapp's fierce little grandmother, brewer of the tea. She looked at Grandmother Mapp's insurance policy framed on the wall. Mapp's side looked like Mapp lived there.
Starling went back to her side. It looked to her like nobody lived there. What did she have framed? Her diploma from the FBI Academy. No photograph of her.parents survived. She had been without them for a long time and she had them only in her mind. Sometimes, in the flavors of breakfast or in a scent, a scrap of conversation, a homely expression overheard, she felt their hands on her: She felt it strongest in her sense of right and wrong.
Who the hell was she? Who had ever recognized her? You are a warrior, Clarice. You can be as strong as you wish to be.
Starling could understand Mason wanting to kill Hannibal Lecter. If he had done it himself or had hired it done, she could have stood it; Mason had a grievance.
But she could not abide the thought of Dr Lecter tortured to death; she shied from it as she had from the slaughter of the lambs and the horses so long ago.
You are a warrior, Clarice.
Almost as ugly as the act itself was the fact that Mason would do this with the tacit agreement of men sworn to uphold the law. It is the way of the world.
With this thought, she made a simple decision: The world will not be this way within the reach of my arm.
She found herself in her closet, on a stool, reaching high.
She brought down the box John Brigham's attorney had delivered to her in the fall. It seemed forever ago.
There is much tradition and mystique in the bequest of personal weapons to a surviving comrade in arms. It has to do with a continuation of values past individual mortality.
People living in a time made safe for them by others may find this difficult to understand.
The box John Brigham's guns came in was a gift in itself. He must have bought it in the Orient when he was a Marine. A mahogany box with the lid inlaid in mother of pearl. The weapons were pure Brigham, well worn, well maintained and immaculately clean. An M1911A1 Colt.45 pistol, and a Safari Arms cut-down version of the.45 for concealed carry, a boot dagger with one serrated edge. Starling had her own leather. John Brigham's old FBI badge was mounted on a mahogany plaque. His DEA badge was in the box loose.
Starling pried the FBI badge off the plaque and put it in her pocket. The.45 went in her Yaqui slide behind her hip, covered by her jacket.
The short.45 went on one ankle, the knife on the other, inside her boots. She took her diploma out of the frame and folded it for her pocket. In the dark somebody might mistake it for a warrant. As she creased the heavy paper, she knew she was not quite herself, and she was glad.
Another three minutes at her laptop. From the Mapquest Web site she printed out a large-scale map of the Muskrat Farm and the national forest around it. For a moment she looked at Mason's meat kingdom, traced its boundaries with her finger.
The Mustang's big pipes blew the dead grass flat as she pulled out of her driveway to call on Mason Verger.
A HUSH over Muskrat Farm like the quiet of the old Sabbath. Mason excited, terribly proud that he could bring this off. Privately, he compared his accomplishment to the discovery of radium.
Mason's illustrated science text was the best-remembered of his schoolbooks; it was the only book tall enough to allow him to masturbate in class. He often looked at an illustration of Madame Curie while doing this, and he thought of her now and the tons of pitchblende she boiled to get the radium. Her efforts were very much like his, he thought.
Mason imagined Dr Lecter, the product of all his searching and expenditure, glowing in the dark like the vial in Madame Curie's laboratory. He imagined the pigs that would eat him going to sleep afterward in the woods, their bellies glowing like lightbulbs.
It was Friday evening, nearly dark. The maintenance crews were gone. None of the workers had seen the van arrive, as it did not come by the main gate, but by the fire road through the national forest that served as Mason's service road. The sheriff and his crew had completed their cursory search and were well away before the van arrived at the barn. Now the main gate was manned and only a trusted skeleton crew remained at Muskrat: Cordell was at his station in the playroom-overnight relief for Cordell would drive in at midnight. Margot and Deputy Mogli, still wearing his badge from cozening the sheriff, were with Mason, and the crew of professional kidnappers were busy in the barn.
By the end of Sunday it would all be done, the evidence burnt or roiling in the bowels of the sixteen swine. Mason thought he might feed the eel some delicacy from Dr Lecter, his nose perhaps. Then for years to come Mason could watch the ferocious ribbon, ever circling in its figure eight, and know that the infinity sign it made stood for Lecter dead forever, dead forever.
At the same time, Mason knew that it is dangerous to get exactly what you want. What would he do after he had killed Dr Lecter? He could wreck some foster homes, and torment some children. He could drink martinis made with tears. But where was the hard-core fun coming from? What a fool he would be to dilute this ecstatic time with fears about the future. He waited for the tiny spray against his eye, waited for his goggle to clear, then puffed his breath into a tube switch: Anytime he liked he could turn on his video monitor and see his prize.
THE SMELL of a coal fire in the tack room of Mason's barn and the resident smells of animals and men. Firelight on the trotting horse Fleet Shadow's long skull, empty as Providence, watching it all in blinders.
Red coals in the farrier's furnace flare and brighten with the hiss of the bellows as Carlo heats a strap of iron, already cherry-red.
Dr Hannibal Lecter hangs on the wall beneath the horse skull like a terrible altarpiece. His arms are outstretched straight from his shoulders on either side, well bound with rope to a single tree, a thick oak crosspiece from the pony cart harness. The single tree runs across the doctor's back like a yoke and is fastened to the wall with a shackle of Carlo's manufacture. His legs do not reach the floor. His legs are bound over his trousers like roasts rolled and tied, with many spaced coils, each coil knotted. No chain or handcuffs are used nothing metal that would damage the teeth of the pigs and discourage.them.
When the iron in the furnace reaches white heat, "Buona sera, Dottore."
A crackle from the speaker on the TV monitor. The monitor lights and Mason's face appears…
"Turn on the light over the camera," Mason said. "Good evening, Dr Lector."
The doctor opened his eyes for the first time.
Carlo thought sparks flew behind the fiend's eyes, but it might have been a reflection of the fire. He crossed himself against the Evil Eye.
"Mason," the doctor said to the camera. Behind Mason, Lector could see Margot's silhouette, black against the aquarium. "Good evening, Margot," his tone courteous now. "I'm glad to see you again."
From the clarity of his speech, Dr Lector may have been awake for some time.
"Dr Lector," came Margot's hoarse voice.
Tommaso found the sun gun over the camera and turned it on.
The harsh light blinded them all for a second.
Mason in his rich radio tones: "Doctor, in about twenty minutes we're going to give the pigs their first course, which will be your feet. After that we'll have a little pajama party, you and I. You can wear shorties by then. Cordell's going to keep you alive for a long time-"
Mason was saying something further, Margot leaning forward to see the scene in the barn.
Dr Lector looked into the monitor to be sure Margot was watching him. Then he whispered to Carlo, his metallic voice urgent in the kidnapper's ear: "Your brother, Matteo, must smell worse than you by now. He shit when I cut him."
Carlo reached to his back pocket and came out with the electric cattle prod. In the bright light of the TV camera, he whipped it across the side of Lector's head. Holding the doctor's hair with one hand, he pressed the button on the handle, holding the prod close in front of Lector's face as the high- voltage current arced in a wicked line between the electrodes on the end.
"Fuck your mother," he said and plunged it arcing into Dr Lector's eye.
Dr Lector made no sound – the sound came from the speaker, Mason roaring as his breath permitted him, and Tommaso strained to pull Carlo away. Piero came down from the loft to help. They sat Carlo down in the cane chair. And held him.
"Blind him and there's no money!" they screamed in both his ears at once.
Dr Lector adjusted the shades in his memory palace to relieve the terrible glare. Ahhhhh. He leaned his face against the cool marble flank of Venus.
Dr Lector turned his face full to the camera and said clearly: "I'm not taking the chocolate, Mason."