"Does he hire S and M whores, that kind of thing? Male prostitutes?"
Starling could feel Krendler's relish in the question. "Not to our knowledge, Mr. Krendler. He was seen at concerts in Baltimore years ago with several attractive women, a couple of them were prominent in Baltimore charity work and stuff. We have their birthdays flagged for gift purchases. None of them was ever harmed to our knowledge, and none has ever agreed to speak about him. We don't know anything about his sexual preferences."
"I've always figured he was a homosexual."
"Why would you say that, Mr. Krendler?"
"All this artsy-fartsy stuff. Chamber music and tea-party food. I don't mean anything personal, if you've got a lot of sympathy for those people, or friends like that. The main thing, what I'm impressing on you, Starling: I better see cooperation here. There are no little fiefdoms. I want to be copied on every 302, I want every time card, I want every lead. Do you understand me, Starling?"
"Yes, sir."
At the door he said, "Be sure you do. You might have a chance to improve your situation here. Your so-called career could use all the help it can get."
The future darkroom was already equipped with vent fans. Looking him in the face, Starling flipped them on, sucking out the smell of his aftershave and his shoe polish. Krendler pushed through the blackout curtains without saying good-bye.
The air danced in front of Starling like heat shimmer on the gunnery range.
In the hall Krendler heard Starling's voice behind him.
"I'll walk outside with you, Mr. Krendler."
Krendler had a car and driver waiting. He was still at the level of executive transport where he made do with a Mercury Grand Marquis sedan.
Before he could get to his car, out in the clear air, she said, "Hold it, Mr. Krendler."
Krendler turned to her, wondering. Might be a glimmer of something here. Angry surrender? His antenna went up.
"We're here in the great out-of-doors," Starling said. "No listening devices around, unless you're wearing one."
An urge hit her that she could not resist. To work with the dusty books she was wearing a loose denim shirt over a snug tank top.
Shouldn't do this. Fuck it.
She popped the snaps on her shirt and pulled it open. "See, I'm not wearing a wire.".She wasn't wearing a bra either. "This is maybe the only time we'll ever talk in private, and I want to ask you. For years I've been doing the job and every time you could you've stuck the knife in me. What is it with you, Mr. Krendler?"
"You're welcome to come talk about it… I'll make time for you, if you want to review…"
"We're talking about it now."
"You figure it out, Starling."
"Is it because I wouldn't see you on the side? Was it when I told you to go home to your wife?"
He looked at her again. She really wasn't wearing a wire.
"Don't flatter yourself, Starling… this town is full of cornpone country pussy."
He got in beside his driver and tapped on the dash, and the big car moved away. His lips moved, as he wished he had framed it: "Cornpone cunts like you."
There was a lot of political speaking in Krendler's future, he believed, and he wanted to sharpen his `verbal karate, and get the knack of the sound bite.
"IT COULD work, I'm telling you," Krendler said into the wheezing dark where Mason lay. "Ten years ago, you couldn't have done it, but she can move customer lists through that computer like shit through a goose."
He shifted on the couch under the bright lights of the seating area.
Krendler could see Margot silhouetted against the aquarium. He was used to cursing in front of her now, and rather enjoyed it. He bet Margot wished she had a dick. He felt like saying dick in front of Margot, and thought of a way: "It's how she's got the fields set up, and paired Lecter's preferences. She could probably tell you which way he carries his dick."
"On that note, Margot, bring in Dr Doemling," Mason said.
Dr Doemling had been waiting out in the playroom among the giant stuffed animals. Mason could see him on video examining the plush scrotum of the big giraffe, much as the Viggerts had orbited the David. On the screen he looked much smaller than the toys, as though he had compressed himself, the better to worm his way into some childhood other than his own.
Seen under the lights of Mason's seating area, the psychologist was a dry person, extremely clean but flaking, with a dry combover on his spotted scalp and a Phi Beta Kappa key on his watch chain. He sat down on the opposite side of the coffee table from Krendler and seemed familiar with the room.
There was a worm hole in the apple on his side of the 4 bowl of fruits and nuts. Dr Doemling turned the hole to face the other way. Behind his glasses, his eyes followed Margot with a degree of wonderment bordering on the oafish as she got another pair of walnuts and returned to her place by the aquarium.
"Dr Doemling's head of the psychology department at Baylor University. He.holds the Verger Chair," Mason told Krendler. "I've asked him what kind of bond there might be between Dr Lecter and the FBI agent Clarice Starling. Doctor…
Doemling faced forward in his seat as though it were a witness stand and turned his head to Mason as he would to a jury. Krendler could see in him the practiced manner, the careful partisanship of the two-thousand-dollar-a-day expert witness.
"Mr. Verger obviously knows my qualifications, would you like to hear them?" Doemling asked.
"No," Krendler said.
"I've reviewed the Starling woman's notes on her interviews with Hannibal Lecter, his letters to her, and the material you provided me on their backgrounds," Doemling began.
Krendler winced at this, and Mason said, "Dr Doemling has signed a confidentiality agreement."
"Cordell will put your slides up on the elmo when you want them, Doctor," Margot said.
"A little background first."
Doemling consulted his notes. "We knooowww Hannibal Lecter was born in Lithuania. His father was a count, title dating from the tenth century, his mother high-born Italian, a Visconti. During the German retreat from Russia some passing Nazi panzers shelled their estate near Vilnius from the high road and killed both parents and most of the servants. The children disappeared after that. There were two of them, Hannibal and his sister. We don't know what happened to the sister. The point is, Lecter was an orphan, like Clarice Starling."
"Which I told you," Mason said impatiently.
"But what did you conclude from it?"
Dr Doemling asked. "I'm not proposing a kind of sympathy between two orphans, Mr. Verger. This is not about sympathy. Sympathy does not enter here. And mercy is left bleeding in the dust. Listen to me. What a common experience of being an orphan gives Dr Lecter is simply a better ability to understand her, and ultimately control her. This is all about control.
"The Starling woman spent her childhood in institutions, and from what you tell me she does not evidence any stable personal relationship with a man. She lives with a former classmate, a young African-American woman."
"That's very likely a sex thing," Krendler said.
The psychiatrist did not even spare Krendler a look. Krendler was automatically overruled. "You can never say to a certainty why someone lives with someone else."
"It is one of the things that is hid, as the Bible says," Mason said.
"Starling looks pretty tasty, if you like whole wheat," Margot offered.
"I think the attraction's from Lecter's end, not hers," Krendler said. "You've.seen her – she's a pretty cold fish."
"Is she a cold fish, Mr. Krendler?" Margot sounded amused.
"You think she's queer, Margot?" Mason asked.
"How the hell would I know? Whatever she is, she treats it as her own damn business – that was my impression. I think she's tough, and she had on her game face, but I wouldn't say she's a cold fish. We didn't talk much, but that's what I took from it. That 'was before you needed me to help you, Mason- you ran me out, remember? I'm not going to say she's a cold fish. Girl who looks like Starling has to keep a certain distance in her face because assholes are hitting on her all the time."
Here Krendler felt that Margot looked at him a beat too long, though he could only see her in outline.
How curious, the voices in this room. Krendler's careful bureauese, Doemling's pedantic bray, Mason's deep and resonant tones with his badly pruned plosives and leaking sibilants and Margot, her voice rough and low, tough-mouthed as a livery pony and resentful of the bit. Under it all, the gasping machinery that finds Mason breath.
"I have an idea about her private life, regarding her apparent father fixation," Doemling went on. "I'll get into it shortly. Now, we have three documents of Dr Lecter's concerning Clarice Starling. Two letters and a drawing. The drawing is of the Crucifixion Clock he designed while he was in the asylum."
Dr Doemling looked up at the screen. "The slide, please."
From somewhere outside the room, Cordell put up the extraordinary sketch on the elevated monitor. The original is charcoal on butcher paper. Mason's copy was made on a blueprint copier and the lines are the blue of a bruise.
"He tried to patent this," Dr Doemling said. "As you can see, here is Christ crucified on a clock face and His arms revolve to tell the time, just like the Mickey Mouse watches. It's interesting because the face, the head hanging forward, is that of Clarice Starling. He drew it at the time of their interviews. Here's a photograph of the woman, you can see. Cordell, is it? Cordell, put up the photo please."