Hannibal - Страница 3

Starling held up her arm and yelled without turning around. `HOLD IT. Hold your fire. Watch the door. Behind me. Watch the fish house door."

"Evelda." Movement in the back of the car. The baby screaming in there. "Evelda, put your hands out the window."

Evelda Drumgo was coming out now. The baby was screaming. " La Macarena " pounding on the speakers in the fish market. Evelda was out and walking toward Starling, her fine head down, her arms wrapped around the baby.

Burke twitched on the ground between them. Smaller twitches now that he had about bled out. " La Macarena " jerked along with Burke.

Someone, moving low, scuttled to him and, lying beside him, got pressure on the wound.

Starling had her weapon pointed at the ground in front of Evelda. "Evelda, show me your hands, come on, please, show me your hands."

A lump in the blanket. Evelda, with her braids and dark Egyptian eyes, raised her head and looked at Starling.

"Well, it's you, Starling," she said.

"Evelda, don't do this. Think about the baby."

"Let's swap body fluids, bitch."

The blanket fluttered, air slammed. Starling shot Evelda Drumgo through the upper lip and the back of her head blew out.

Starling was somehow sitting down with a terrible stinging in the side of her head and the breath driven out of her. Evelda sat in the road too, collapsed forward over her legs, blood gouting out of her mouth and over the baby, its cries muffled by her body. Starling crawled over to her and plucked at the slick buckles of the baby harness. She pulled the balisong out of Evelda's bra, flicked it open without looking at it and cut the harness off the baby. The baby was slick and red, hard for Starling to hold.

Starling, holding it, raised her eyes in anguish. She could see the water spraying in the air from the fish market and she ran over there carrying the bloody child. She swept away the knives and fish guts and put the child on the cutting board and turned the strong hand – spray on him, this dark child lying on a white cutting board amid the knives and fish guts and the shark's head beside him, being washed of HIV positive blood, Starling's own blood falling on him, washing away with Evelda's blood in a common stream exactly salty as the sea.

Water flying, a mocking rainbow of God's Promise in the spray, sparkling banner over the work of His blind hammer. No holes in this man-child that Starling could see. On the speakers " La Macarena " pounding, a strobe light going off and off and off until Hare dragged the photographer away.

Chapter 2

A CUL-DE-SAC in a working-class neighborhood Arlington, Virginia, a little after midnight. It is warm fall night after a rain. The air moves uneasily ahead of a cold front. In the smell of wet earth a leaves, a cricket is.playing a tune. He falls silent a big vibration reaches him, the muffled boom of a 5.0-liter Mustang with steel tube headers turning into the cul-de-sac, followed by a federal marshal car. The two cars pull into the driveway of a neat duplex and stop.

The Mustang shudders a little at idle. When the engine goes silent, the cricket waits a moment and resumes his tune, his last before the frost, his last ever.

A federal marshal in uniform gets out of the drivers seat of the Mustang. He comes around the car and opens the passenger door for Clarice Starling. She gets out. A white headband holds a bandage over her ear.

Red-orange Betadine stains her neck above the green surgical blouse she wears instead of a shirt.

She carries her personal effects in a plastic zip-lock bag – some mints and keys, her identification as a Special Agent of the Federal Bureau of Investigation, a speed-loader containing five rounds of ammunition, a small can of Mace. With the bag she carries a belt and empty holster.

The marshal hands her the car keys.

"Thank you, Bobby."

"You want me and Pharon to come in and sit with you awhile? Would you rather I get Sandra? She waits up for me. I'll bring her over a little while, you need some company…"

"No, I'll just go in now. Ardelia will be home after a while. Thank you, Bobby."

The marshal gets in the waiting car with his partner and when he sees Starling safely inside the house, the federal car leaves.

The laundry room in Starling's house is warm and smells of fabric softener. The washing machine and clothes dryer hoses are clamped in place with plastic handcuff strips. Starling puts down her personal effects on top of the washing machine. The car keys make a loud clank on the metal top. She takes a load of wash out of the washing machine and stuffs it into the dryer. She takes off her fatigue pants and throws them in the washer and the surgical greens and her bloodstained bra and turns on the machine. She is wearing socks and underpants and a.38 Special with a shrouded hammer in an ankle holster. There are livid bruises on her back and ribs and an abrasion on her elbow. Her right eye and cheek are puffed.

The washing machine is warming and starting to slosh. Starling wraps herself in a big beach towel and pads into the living room. She comes back with two inches of Jack Daniel's neat in a tumbler. She sits down on the rubber mat before the washing machine and leans back against it in the dark as the warm machine throbs and sloshes. She sits on the floor with her face turned up and sobs a few dry sobs before the tears come. Scalding tears on her cheeks, down her face.

Ardelia Mapp's date brought her home about 12:45, A.M. after a long drive down from Cape May, and she told him good night at the door. Mapp was in her bathroom when she heard the water running the thud in the pipes as the washing machine advanced its cycle. She went to the back of the house and turned on the lights in the kitchen she shared with Starling. She could see into the laundry room. She could see Starling sitting on the floor, the bandage around.her head.

"Starling! Oh, baby." Kneeling beside her quickly, "What is it?"

"I got shot through the ear, Ardelia. They fixed it at Walter Reed. Don't turn the light on, okay?"

"Okay. I'll make you something. I haven't heard – we were playing tapes in the car – tell me."

"John's dead, Ardelia."

"Not Johnny Brigham!"

Mapp and Starling had both had crushes on Brigham when he was gunnery instructor at the FBI Academy. They had tried to read his tattoo through his shirtsleeve.

Starling nodded and wiped her eyes with the back of her hand like a child. "Evelda Drumgo and some Crips. Evelda shot him. They got Burke too, Marquez Burke from BATF. We all went in together. Evelda was tipped ahead and the TV news got there the same time we did. Evelda was mine. She wouldn't give it up, Ardelia. She wouldn't give it up and she was holding the baby. We shot each other. She's dead."

Mapp had never seen Starling cry before.

"Ardelia, I killed five people today."

Mapp sat on the floor beside Starling and put her arm around her. Together they leaned back against the turning washing machine.

"What about Evelda's baby?"

"I got the blood off him, he didn't have any breaks in his skin I could see. The hospital said physically he's all right. They're going to release him to Evelda's mother in a couple of days. You know the last thing Evelda said to me, Ardelia? She said, `Let's swap body fluids, bitch."

"Let me fix you something," Mapp said.

"What?" Starling said.

Chapter 3

WITH THE gray dawn came the newspapers and the early network news.

Mapp came over with some muffins when she heard Starling stirring around and they watched together.

CNN and the other networks all bought the copyrighted film from WFUL-TV's helicopter camera. It was extraordinary footage from directly overhead.

Starling watched once. She had to see that Evelda; shot first. She looked at Mapp and saw anger in her brown face.

Then Starling ran to throw up.

"That's hard to watch," Starling said when she came back, shaky-legged and pale…As usual, Mapp got to the point at once. "Your question is, how do I feel about you killing that African American woman holding that child. This is the answer. She shot you first. I want you to be alive. But Starling, think about who's making this insane policy here. What kind of dumb-ass thinking put you and Evelda Drumgo together in that sorry place so you could solve the drug problem between you with some damn guns? How smart is that? I hope you'll think about whether you want to be their cat's paw anymore." Mapp poured some tea for punctuation. "You want me to stay with you? I'll take a personal day."

"Thanks. You don't need to do that. Call me."

The National Tattler, prime beneficiary of the tabloid boom in the nineties, put out an extra that was extraordinary even by its own standards. Someone threw it at the house at midmorning. Starling found it when she went to investigate the thump. She was expecting the worst, and she got it:

"DEATH ANGEL: CLARICE STARLING, THE FBI's KILLING MACHINE," screamed the National Tattler's headline in seventy-two-point Railroad Gothic. The three front-page photos were: Clarice Starling in fatigues firing a.45-caliber pistol in competition, Evelda Drumgo bent over her baby in the road, her head tilted like that of a Cimabue Madonna, with the brains blown out, and Starling again, putting a brown naked baby on a white cutting board amid knives and fish guts and the head of a shark.

The caption beneath the pictures says, "FBI Special Agent Clarice Starling, slayer of serial killer Jame Gumb, adds at least five notches to her gun. Mother with babe in arms and two police officers among the dead after botched drug raid."

The main story covered the drug careers of Evelda and Dijon Drumgo, and the appearance of the Crip gang on the war-torn landscape of Washington, D.C. There was a brief mention of fallen officer John Brigham's military service, and his decorations were cited.