Hannibal - Страница 19

The Questura nearly destroyed Tocca's house trying to find evidence. In the end Pazzi himself, searching Tocca's grounds, came up with a cartridge case that was one of the few pieces of physical evidence the prosecution submitted.

The trial was a sensation. It was held in a high-security building called the Bunker where terrorist trials were held in the seventies, across from the Florence offices of the newspaper La Nazione. The sworn and besashed jurors, five men and five women, convicted Tocca on almost no evidence except his character. Most of the public believed him innocent, but many said Tocca was a jerk and well jailed. At the age of sixty-five, he received a sentence of forty years at Volterra.

The next months were golden. A Pazzi had not been so celebrated in Florence for the last five hundred years, since Pazzo de' Pazzi returned from the First Crusade with flints from the Holy Sepulchre…Rinaldo Pazzi and his beautiful wife stood beside the archbishop in the Duomo when, at the traditional Easter rite, these same holy flints were used to ignite the rocket-powered model dove, which flew out of the church along its wire to explode a cart of fireworks for a cheering crowd.

The papers hung on every word Pazzi said as he dispensed credit, within reason, to his subordinates for the drudgery they had performed. Signora Pazzi was sought for fashion advice, and she did look wonderful in the garments designers encouraged her to wear. They were invited to stuffy teas in the homes of the powerful, and had dinner with a count in his castle with suits of armor standing all around.

Pazzi was mentioned for political office, praised over the general noise in the Italian parliament and given the brief to head Italy 's cooperative effort with the American FBI against the Mafia.

That brief, and a fellowship to study and take part in criminology seminars at Georgetown University, brought the Pazzis to Washington, D.C. The chief inspector spent much time at Behavioral Science in Quantico and dreamed of creating a Behavioral Science division in Rome.

Then, after two years, disaster: In a calmer atmosphere, an appellate court not under public pressure agreed to review Tocca's conviction. Pazzi was brought home to face the investigation. Among the former colleagues he had left behind, the knives were out for Pazzi.

An appellate panel overthrew Tocca's conviction and reprimanded Pazzi, saying the court believed he had planted evidence.

His former supporters in high places fled him as they would a bad smell. He was still an important official of the Questura, but he was a lame duck and everyone knew it. The Italian government moves slowly, but soon the axe would fall.

Chapter 19

IT WAS in the awful searing time while Pazzi waited for the axe that he first saw the man known among scholars in Florence as Dr Fell…

Rinaldo Pazzi, climbing the stairs in the Palazzo Vecchio on a menial errand, one of many found for him by his former subordinates at the Questura as they enjoyed his fall from grace. Pazzi saw only the toes of his own shoes on the cupped stone and not the wonders of art around him as he climbed beside the frescoed wall. Five hundred years ago, his forebear had been dragged bleeding up these stairs.

At a landing, he squared his shoulders like the man he was, and forced himself to meet the eyes of the people in the frescoes, some of them kin to him. He could already hear the wrangling from the Salon of Lilies above him where the directors of the Uffizi Gallery and the Belle Arti Commission were meeting in joint session.

Pazzi's business today was this: The longtime curator of the Palazzo Capponi was missing. It was widely believed the old fellow had eloped with a woman or someone's money or both. He had failed to meet with his governing body here in the Palazzo Vecchio for the last four monthly meetings.

Pazzi was sent to continue the investigation. Chief Inspector Pazzi, who had sternly lectured these same gray-faced directors of the Uffizi and members of the rival Belle Arti Commission on security following the museum bombing, must.now appear before them in reduced circumstances to ask questions about a curator's love life. He did not look forward to it.

The two committees were a contentious and prickly assembly – for years they could not even agree on a venue, neither side willing to meet in the other's offices. They met instead in the magnificent Salon of Lilies in the Palazzo Vecchio, each member believing the beautiful room suitable to his own eminence and distinction. Once established there, they refused to meet anywhere else, even though the Palazzo Vecchio was undergoing one of its thousand restorations, with scaffolding and drop cloths and machinery underfoot.

Professor Ricci, an old schoolmate of Rinaldo Pazzi, was in the hall outside the salon with a sneezing fit from the plaster dust. When he had recovered sufficiently, he rolled his streaming eyes at Pazzi.

"La solita arringa," Ricci said, "they are arguing as usual. You've come about the missing Capponi curator? They're fighting over his job right now. Sogliato wants the job for his nephew. The scholars are impressed with the temporary one they appointed months ago, Dr Fell. They want to keep him."

Pazzi left his friend patting his pockets for tissues, and went into the historic chamber with its ceiling of gold lilies. Hanging drop cloths on two of the walls helped to soften the din.

The nepotist, Sogliato, had the floor, and was holding it by dint of volume: "The Capponi correspondence goes back to the thirteenth century. Dr Fell might hold in his hand, in his non-Italian hand, a note from Dante Alighieri himself. Would he recognize it? I think not. You have examined him in medieval Italian, and I will not deny his language is admirable. For a straniero. But is he familiar with the personalities of pre-Renaissance Florence? I think not. What-if he came upon a note in the Capponi library from-from Guido de' Cavalcanti for instance? Would he recognize it? I think not. Would you care to address that, Dr Fell?"

Rinaldo Pazzi scanned the room and did not see anyone he recognized as Dr Fell, even though he had examined a photograph of the man not an hour before. He did not see Dr Fell because the doctor was not seated with the others. Pazzi heard his voice first, then located him.

Dr Fell stood very still beside the great bronze statue of Judith and Holofernes, giving his back to the speaker and the crowd. He spoke without turning around and it was hard to know which figure the voice came from – Judith, her sword forever raised to strike the drunken king, or Holofernes, gripped by the hair, or Dr Fell, slender and still beside Donatello's bronze figures. His voice cut through the din like a laser through smoke and the squabbling men fell silent.

"Cavalcanti replied publicly to Dante's first sonnet in La Vita Nuova, where Dante describes his strange dream of Beatrice Portinari," Dr Fell said. "Perhaps Cavalcanti commented privately as well. If he wrote to a Capponi, it would be to Andrea, he was more literary than his brothers."

Dr Fell turned to face the group in his own time, after an interval uncomfortable to everyone but him. "Do you know Dante's first sonnet, Professor Sogliato? Do you? It fascinated Cavalcanti and it's worth your time. In part it says: " The first three hours of night were almost spent The time that every star shines down on us When Love appeared to me so suddenly That I still shudder at the memory…Joyous Love seemed to me, the while he held My heart within his hands, and in his arms My lady lay asleep wrapped in a veil. He woke her then and trembling and obedient She ate that burning heart out of his hand; Weeping I saw him then depart from me.

"Listen to the way he makes an instrument of the Italian vernacular, what he called the vulgari eloquentia of the people: "Allegro mi sembrava Amor tenendo Meo core in mano, a ne le braccia avea Madonna involta in un drappo dormendo. Poi la svegliava, a d'esto core ardendo Lei paventosa umilmente pascea Appreso gir to ne vedea piangendo."

Even the most contentious Florentines could not resist the verse of Dante ringing off these frescoed walls in Dr Fells clear Tuscan. First applause, and then by wet-eyed acclamation, the memberships affirmed Dr Fell as master of the Palazzo Capponi, leaving Sogliato to fume. If the victory pleased the doctor, Pazzi could not tell, for he turned his back again. But Sogliato was not quite through.

"If he is such an expert on Dante, let him lecture on Dante, to the Studiolo."

Sogliato hissed the name as though it were the Inquisition. "Let him face them extempore, next Friday if he can."

The Studiolo, named for an ornate private study, was a small, fierce group of scholars who had ruined a number of academic reputations and met often in the Palazzo Vecchio. Preparing for them was regarded as a considerable chore, appearing before them a peril. Sogliato's uncle seconded his motion and Sogliato's brother-in-law called for a vote, which his sister recorded in the minutes. It passed. The appointment stood, but Dr Fell must satisfy the Studiolo to keep it.

The committees had a new curator for the Palazzo Capponi, they did not miss the old curator, and they gave the disgraced Pazzi's questions about the missing man short shrift. Pazzi held up admirably.

Like any good investigator, he had sifted the circumstances for profit. Who would benefit from the old curator's disappearance? The missing curator was a bachelor, a well-respected quiet scholar with an orderly life. He had some savings, nothing much. All he had was his job and with it the privilege of living in the attic of the Palazzo Capponi.

Here was the new appointee, confirmed by the board after close questioning on Florentine history and archaic Italian. Pazzi had examined Dr Fells application forms and his National Health affidavits.